Yaya Egwaikhide & Majid Mohamed
BBC News
Afrobeats has swept the world of music like a tsunami – it dominates playlists, and its fans cram into huge stadiums to hear the likes of Nigerian superstars Wizkid, Davido, and Burna Boy.
Photographer Oliver Akinfeleye, known professionally as “Drummer”, caught the Afrobeats wave early and decided to document its growth into a global phenomenon.
Since 2017, the New Yorker of Nigerian descent has had exclusive backstage access to some of the most prominent artists of the genre, capturing quieter moments of reflection as well as strutting stage performances.
“I remember my first project with Wizkid like it was yesterday – Echostage, Washington DC, 2017,” the Drummer told the BBC. “The feeling was exhilarating. It was my job to tell the visual story of how it all went down.”
Drummer has not stopped clicking since, and has now released Eagle Eye, a book of photographs showcasing Afrobeats’ rise from humble beginnings to one of Africa’s most significant cultural exports.
Afrobeats has its roots in various West African musical genres that gained popularity in the decades following independence, as the continent celebrated its freedom from colonial rule.
Highlife, which flourished along the coast from the late 19th Century, became synonymous with Ghana’s national identity after independence in 1957, and was in turn hugely influential on Nigerian musician Fela Kuti. His Afrobeat (minus the “s”) movement, which mixed traditional rhythms with funk and jazz, became the sound of the 1970s and 1980s in West Africa.
At the turn of the millennium, this rich cultural heritage influenced Afrobeats, blending with a mix of Western pop, rap, and dancehall.
It gained further popularity in the UK and North America, where there are large diaspora populations, particularly from Nigeria, from which most of the genre’s stars originated.
Afrobeats artists initially performed for these communities in small venues in the early 2010s.
Then it took off – between 2017 and 2022, Afrobeats experienced 550% growth in streams on Spotify, according to data from the world’s most popular streaming service.
This resulted in many of the artists becoming household names worldwide, and the music industry taking note.
It has gone on to include African music in mainstream award ceremonies, such as the Grammys.
Today, these artists easily pack out stadiums like Madison Square Garden in New York – pictured below ahead of Wizkid’s performance in 2023.
“Madison Square was a night to remember – the iconic venue illuminated in the colours of the Nigerian flag honouring our homeland,” says Drummer.
The drummer was able to take photographs of the musicians as they began their global careers.
“I always felt that I was capturing moments with just my eyes. Walking the streets of New York City, I would frame scenes in my mind – people, light, emotion,” the photographer says.
“I’d ask myself, how do I translate this mental perspective to reality?”
Gradually, the audience grew and became more international with fans in countries such as China, Germany and Brazil.
Now, even non-African musicians are adopting the Afrobeats sound and releasing their versions, including artists such as Chris Brown, who collaborated with Davido on “Blow My Mind.“
The US singer has also performed with Wizkid in London, as the photo below from 2021 shows.
“I love this picture because when Wizkid brought Chris Brown out at The O2 arena, the place exploded. No one saw it coming – the energy shifted instantly,” says Drummer.
“Shock, excitement, and pure electricity. A moment stamped in memory and history.”
The drummer says one of the aims of the photo book is not just to show people what he saw, but to help them feel what he experienced through his pictures.
It also sometimes reveals the feelings of the superstars in their private moments.
This final picture shows Wizkid backstage on his phone in 2021.
It was “a rare quiet moment”, but even in the silence and the calm, his presence spoke volumes, says Drummer.
